James Atkinson, french horn, teaches at California State University at Long Beach, and performs with the Los Angeles Music Center Opera, Glendale Symphony, Santa Monica Symphony, Fine Arts Brass Quintet, all major Motion Picture and Television studios, and as a regular substitute for over twenty-five years with the Los Angeles Philharmonic. He has also played with the US Navy Band, Calgary Philharmonic (principal) and Utah Symphony Orchestra (associate principal). He received scholarships for and participated in both the Aspen Music Festival and the Music Academy of the West in Santa Barbara.

Alison Bjorkedal, harp, Alison Bjorkedal earned her Doctorate of Musical Arts degree and Master’s degree in harp performance from the USC Thornton School of Music on full tuition scholarship. While at the Thornton School, Alison studied with JoAnn Turovsky and was a teaching assistant for the beginning harp class. She received her Bachelor’s degree from the University of Oregon (magna cum laude) where she studied harp with Sally Maxwell and Laura Zaerr. Currently, Alison is an active freelance musician in the Los Angeles area and is acting principal of the Pasadena Pops Orchestra. Beyond performing, Alison maintains a private teaching studio and is active in arts administration for The Colburn School and as coordinator of the American Harp Society’s National Competition.

Alison’s performances include the world premiere of William Kraft’s Encounters XII for harp and percussion, several recitals for the City of Beverly Hills’ Sundays at Two Concert Series, and as soloist with the USC Chamber Orchestra and Traction Avenue Orchestra. She performed on Southwest Chamber Music’s Latin-Grammy nominated Complete Chamber Music of Carlos Chávez, Volume 4 and the recently released William Kraft’s Encounters series.

Zach Collins, tuba, was named to the position of Assistant Professor of Tuba and Euphonium at Indiana University of Pennsylvania in the fall of 2007. Before moving to Indiana, PA, Zach was an active freelance musician in Texas and Southern California where he performed with ensembles such as the Los Angeles Philharmonic, Pacific Symphony, Festival Orchestra of the San Luis Obispo Mozart Festival, Riverside County Philharmonic, Santa Barbara Symphony, Monterey Symphony, Texas Chamber Orchestra, and the Texas Wind Symphony. In these ensembles Zach has performed under the baton of conductors such as Bramwell Tovey, Esa-Pekka Salonen, and Helmuth Rilling.

Zach earned his Bachelor of Music in Tuba Performance from Texas Christian University (2003), his Master of Music in performance from the University of Southern California (2005), and his Doctor of Music in Tuba Performance from USC (2007). While at TCU, Zach’s primary studies were with Richard Murrow, and at USC his teachers were Jim Self, Tommy Johnson, and Norm Pearson.

Bill Booth, trombone, performs in most areas of L.A.’s music industry. His recording credits include hundreds of motion pictures (including King King, I Am Legend, The Incredibles, Cars, and Titanic), numerous phonograph records, television shows and jingles. He is principal trombone in the Los Angeles Opera Company, the Hollywood Bowl Orchestra, and the Pasadena Symphony. He has frequent appearances with the Los Angeles Chamber Orchestra and has a solo CD, Balancing Act, on Crystal Records. He is on the music faculty at UCLA and UC Santa Barbara. Originally from Sedalia, Missouri, Bill studied at the Tanglewood Festival and holds a B.M.E. from the University of Kansas, a Masters Degree from Catholic University and an M.B.A from the University of Nevada, Las Vegas. He played the jazz chair with the USAF Airmen of Note and subsequently moved to Las Vegas where he worked in show orchestras before moving to Los Angeles. He performed on Southwest Chamber Music’s Complete Chamber Music of Carlos Chávez, Volume 2, which received a 2004 GRAMMY Award.

Tony Ellis, trumpet, has held the position of second trumpet with the Pacific Symphony Orchestra since 1984. He recently performed as principal trumpet for Stravinsky’s Pettroushka and Tchaikovsky’s Symphony No. 5, both of which were broadcast live on KMZT. He has performed as principal trumpet with the Long Beach Symphony Orchestra. Mr. Ellis’ varied musical activities include performances with the Pasadena Symphony, Los Angeles Music Center Opera Orchestra, the Cabrillo Music Festival and the Hollywood Bowl Orchestra. Mr. Ellis was appointed second trumpet of the Opera Orchestra in 1995. He is a graduate of California State University, Fullerton where he earned both his Bachelor and Master of Music degrees in trumpet performance.

Jim Foschia, clarinet, studied with Charles Russo at the Hartt School of Music and the Manhattan School of Music. He performed on world tours of Evita, 42nd St. and recording artist Yanni. Currently he performs regularly with the Santa Barbara Chamber Orchestra and has also performed with the Los Angeles Chamber Orchestra, Los Angeles Master Chorale, Opera Pacific, California Philharmonic, Pasadena Symphony, Santa Barbara Symphony and the Mozart Camerata. Jim is on the Faculty of Hamilton High School Academy of Music and Director of Jazz Studies, teaching instrumental music, instrumental jazz and musical theater. His direction of Hamilton’s production of Chicago received a 2006 National Youth Theater Award for Best Musical Direction, and he has received various awards for music education from the Mayor of Pasadena, Altadena Links and the U.S. House of Representatives. Mr. Foschia first performed with Southwest Chamber Music in 1999, and has recorded works with the group by Elliott Carter, John Cage, Mel Powell, Richard Felciano, Chinary Ung and Carlos Chávez on Cambria Master Recordings. Mr. Foschia performed on Southwest Chamber Music’s Complete Chamber Works of Carlos Chávez, Volumes 1 and 2, which received consecutive 2003 and 2004 GRAMMY Awards.

Lorenz Gamma, violin, has given master classes in the United States, Europe and Asia and has taught violin at five different universities, first as visiting professor at University of California Los Angeles, then at California State University Fresno and California Institute of the Arts. Currently, he is a faculty member at California State University Long Beach, where he teaches violin and chamber music. This past fall, Mr. Gamma also followed an invitation for a post as visiting professor at the Indiana University Jacobs School of Music in Bloomington, teaching interim a full violin class. As former co-leader of the Amar Quartet, one of Switzerland’s most active quartets, Mr. Gamma has performed in many of Europe’s most important chamber music venues, including the symphony halls in Zurich, Geneva, Basel and Bern, the Cologne Philharmonic, as well as such cities as London, Paris, New York, Tehran, etc. Prior to his full-time tenure with the quartet, he served as Principal Second Violin of the Zurich Opera Orchestra and as concertmaster of the Northwest Sinfonietta in Seattle. As a soloist Mr. Gamma has performed over twenty different violin concerti and holds an extensive record of radio appearances as recitalist and chamber musician, both in Europe and in the United States. He has recorded chamber music for Cambria, Centaur, EAR, ECM, Innova, Suisa and Tilia Record labels and has performed a string quartet repertoire encompassing more than seventy composers. Mr. Gamma was born in Switzerland, where he received his initial training as a violinist. His further studies took place in the United States, with Franco Gulli (Bachelor), Steven Staryk (Masters) and Mark Kaplan (Doctorate). He has been performing with Southwest Chamber Music since 2002.

Stuart Horn, oboe, earned his Master of Fine Arts degree in oboe performance from California Institute of the Arts where he was a scholarship student of Allan Vogel. He is oboist with Southwest Chamber Music and performs with the Santa Barbara Chamber Orchestra, Asia American Symphony of Los Angeles, Hollywood Bowl Orchestra, Long Beach Symphony, Mozart Camerata, California Double Reed Quartet and frequently in productions with Los Angeles Music Center Opera. He is a member of the San Luis Obispo Mozart Festival Orchestra and has performed with the New Music America, Olympic Arts, Ojai and Holland festivals both as a soloist and in the festival orchestras. Mr. Horn has recorded for Nonesuch, Capitol, Philips and Cambria Records. He is on the woodwind faculty at Cal Poly in San Luis Obispo and teaches for the California State Summer School for the Arts. He performed on Southwest Chamber Music’s Complete Chamber Music of Carlos Chávez, Volumes 1 and 2, which received consecutive 2003 and 2004 GRAMMY® Awards.

Peter Jacobson, cello started on the cello at age nine and went on to graduate from the University of Southern California studying under the late Eleonore Schoenfeld. He also studied at CalArts and at the San Francisco Conservatory of Music. Peter has studied North Indian classical music with the late sitar master Rahul Sariputra and at the Ali Akbar College of Music. He won the Jennings Butterfield Young Artist competition, the San Diego Musical Merit competition and numerous local scholarships and competitions. Peter has performed as a soloist and premiered concertos by Jeffery Holmes and Roger Prytzytulsky. He has played locally and internationally with a list of fine classical ensembles, orchestras, rock bands, fusion projects, hip-hop producers and jazz artists with the intention of celebrating the wonderful effects of music. Currently, he plays regularly with Southwest Chamber Music, Quartetto Fantastico, and the Arohi Ensemble.

Elissa Johnston, soprano. Hailed by Musical America for “her voice pure and ethereal, her expression embracing and heartfelt,” Elissa Johnston has appeared internationally in a wide range of repertory. Her orchestral engagements include appearances with the Atlanta Symphony, St. Paul Chamber Orchestra, Los Angeles Philharmonic, Fort Worth Symphony, Oregon Bach Festival, San Francisco Contemporary Players and the Pasadena Symphony. This season she appeared in the world premiere of Spiral XII by Chinary Ung with the Los Angeles Master Chorale at Walt Disney Concert Hall. Previously she sang the world premiere of Aura by Mr. Ung with Grammy Award winning Southwest Chamber Music. She subsequently recorded Aura and toured with the ensemble to Vietnam and Cambodia.

Ms. Johnston has performed numerous times with the L.A. Philharmonic’s New Music Group, both in Los Angeles and at the Ojai Festival, with conductors Tan Dun, David Zinman, Daniel Harding and Steven Stucky. She made her Lincoln Center debut singing Brahms’ Liebeslieder Waltzes with the New York City Ballet and was subsequently invited back to premiere Morgen!, a set of 10 orchestral songs by Richard Strauss choreographed by Peter Martins. Ms. Johnston also appeared in the New York Philharmonic’s Copland Festival and Lincoln Center’s Stravinsky Festival. Her recital appearances include programs at the Aldeburgh Festival in England and at the Aspen Festival’s Winter Music Series.

Lawrence Kaplan, flue/piccolo, is one of Southern California’s most sought after and versatile flutists, and has appeared at virtually every major venue in the area. For five seasons he played piccolo with the Los Angeles Philharmonic, and has played Principal Flute for the Hollywood Bowl Orchestra, American Ballet Theater, Long Beach Symphony, and many other local ensembles. Mr. Kaplan has recorded for dozens of feature film soundtracks and is an avid jazz enthusiast and past recipient of the Outstanding Jazz Soloist at the Chaffee Jazz Festival. He attended California State University at Northridge and continued his studies in France with Jean-Pierre Rampal. He first performed with Southwest Chamber Music in January 2003, and performed on Southwest Chamber Music’s Complete Chamber Music of Carlos Chávez, Volume 2, which received a 2004 GRAMMY Award.

Jan Karlin, ,violist and Founding Executive Director of Southwest Chamber Music, is a recipient of a James Irvine Foundation "Fund for Leadership Advancement" Award to outstanding Executive Directors in California. Ms. Karlin won a 2004 Grammy Award as producer for Southwest Chamber Music’s recording of the Complete Chamber Music of Carlos Chavez, Volume II. She also serves on the Grammy Museum Education Advisory Committee. Ms. Karlin has performed throughout the U. S. and Europe, including the Arnold Schoenberg Center in Vienna, Cooper Union in New York City, Santa Fe Chamber Music Festival, Tanglewood, Schleswig-Holstein, Flanders, Brighton and the Vienna Festivals. Ms. Karlin received her Bachelor’s Degree from Tufts University in Drama and Music, and her Master’s Degree from Boston University as a student of Walter Trampler. She studied chamber music under such notable musicians as Eugene Lehner, Joseph Silverstein and Louis Krasner. A credentialed secondary education teacher, she was Instructor of Viola at the Claremont Colleges for 12 years. Ms. Karlin also performed with the Boston Pops, Opera Company of Boston, Pro Arte Chamber Orchestra in Boston, the Pacific and Long Beach Symphonies in California and the Wiener Akademie in Vienna. Her recordings are available on Cambria Master Recordings, ORFEO, (Munich) and Novalis, and she performed on Southwest Chamber Music’s Complete Chamber Works of Carlos Chávez, Volumes 1 and 2, which received consecutive 2003 and 2004 GRAMMY Awards.

David Kossoff, oboe and english horn,spent twenty years in New York before moving to Los Angeles, where he has been performing for the past ten years.  Playing with orchestras as diverse as the New York Philharmonic, Orchestra of St. Lukes, St. Lukes Chamber Ensemble, American Ballet Theatre, American Symphony, American Composers Orchestra, Brooklyn Philharmonic, Mostly Mozart, New York City Opera and the Royal Ballet, among others while in New York, his experience provided him the opportunities to play in venues from the Metropolitan Opera House to Carnegie Hall.  David studied with Louis Rosenblatt of the Philadelphia  Orchestra and Marc Lifschey of the Cleveland Orchestra and Metropolitan Opera.  He is also featured in numerous recordings including the Frank Martin “Concerto for Seven Wind Instruments, Timpani, Percussion and Strings” and “Music for Martha Graham: Volumes 1 and 2” as well as various Broadway cast albums.  Since moving to Los Angeles, he has performed with the Santa Barbara Chamber Orchestra, Hollywood Bowl Orchestra, Long Beach Opera and as Principal Oboe of the Los Angeles Opera, with whom he performed on the Grammy winning production of Kurt Weill's " Rise and Fall of the City of Mahagonny.

Patricia Mabee, harpsichord, has received high acclaim as a gifted soloist, ensemble performer and educator. She has been featured as a soloist with the Los Angeles Chamber Orchestra since 1976. Ms. Mabee has appeared in more than 20 works under Marriner, Hogwood, Rilling, Mcgegan, Brown, and Perick. Ms. Mabee is also Principal Keyboardist with the New West Symphony and Crown City Consort. Her career as an ensemble player is marked by regular appearances at many music festivals including the Casals Festival, Oregon Bach Festival, Chamber Music Northwest, Ojai Festival, and the Los Angeles Bach Festival. Ms. Mabee is currently a faculty member at CalArts.

Ken McGrath, percussion, regularly performs with many of Southern California’s leading ensembles. With the Los Angeles Philharmonic, he has toured throughout Europe and North America and contributed to many recordings such as John Adam’s Naïve and Sentimental Music (world premiere) and most recently Le Sacred du Printemps. Kenneth also appears frequently with the Hollywood Bowl Orchestra, Pacific Symphony, the San Diego Symphony, the Los Angeles Chamber Orchestra, the Los Angeles Master Chorale, the Pasadena Symphony, and serves as a section percussionist with the New West Symphony. His work with the Los Angeles Philharmonic New Music Group has included concerts at Lincoln Center, the Ojai Music Festival and the Green Umbrella Series. He has also been actively involved with the Jacaranda Chamber Music Series and has played on the musical productions of Curtains, The Lion King, and Phantom of the Opera.

Richard Mitchell, clarinet/alto saxophone, a native of Southern California, is a woodwind player specializing in alto and tenor saxophone. He works in theater, studio and concert venues and currently plays clarinet and soprano saxophone in the Los Angeles production of Wicked. Richard is principal saxophonist for the Hollywood Bowl Orchestra and has also performed with the Los Angeles Philharmonic, Pasadena Pops and Symphony in the Glen orchestras. He has played on countless movie and television soundtracks, including Ratatouille, Everyone’s Hero, The Incredibles, Mission Impossible III, Speed Racer, Sky High, Snow Dogs, The Family Stone, Ugly Betty, Alias, and JAG. He has recorded with the Hollywood Bowl Orchestra, Frank Sinatra, Harry James, Woody Herman, Poncho Sanchez, Paul McCartney, Prince, Robert Palmer, Tori Amos, Chris Botti and many other classical, jazz, and pop artists..

Tom Peters, double bass, is known for his interpretations of contemporary music, with a special interest in music for double bass and electronics. He has commissioned solo works for the bass by composers such as Mary Lou Newmark, Dennis Bathory-Kitsz, Eric Schwartz, Alex Shapiro, Richard Derby, and Robin Cox. In 2008 Tom released a recording of John Cage’s seminal work 26’1.1499” for a String Player, with KPFK’s John Schneider performing Cage’s 45’ for a Speaker on the Tiger Barb Records label. An upcoming Tiger Barb Records release for music for double and electronics by women composers is slated for 2010. Tom has performed with Southwest Chamber Music since 1998, and is also a member of the Long Beach Symphony Orchestra, and Ensemble Green. He is featured in a series of solo concerts at Pasadena’s Boston Court Performing Arts Complex, and was featured in a live broadcast over Nordwest Radio in Germany in 2004. Tom teaches double bass at the Bob Cole Conservatory of Music at California State University, Long Beach, and is a graduate of the Eastman School of Music.

KATHLEEN ROLAND, soprano, is a highly regarded concert soloist and a well known specialist in the music of the 20th and 21st century. She has been a featured singer with many music festivals, including the Santa Fe Chamber Music Festival, the Britten-Pears Institute and the Tanglewood Music Festival, and has performed with many notable conductors, including James Conlon, Kent Nagano, Reinbert de Leeuw, John Mauceri, and Oliver Knussen. Dr. Roland has been a frequent featured soloist with Grammy award-winning Southwest Chamber Music, with whom she has garnered critical acclaim for her performances. Recordings include a CD created with American composer Libby Larsen of her song cycle, "Songs from Letters, from Calamity Jane to her daughter Janey", and Aura, a piece for ensemble and soloists by Grawemeyer award winning Cambodian composer Chinary Ung. International appearances include a recent tour with Southwest Chamber Music in Southeast Asia, featuring the music of Chinary Ung, and at the Tonhalle in Dusseldorf with conductor Robert Platz and mdi ensemble milano. Her 2007 Fulbright award made possible continued research on the vocal music of Scandinavia, as well as performances and master classes of American art song in Sweden. This coming year takes her around the U.S. performing concerts of Swedish art song, back to Sweden for continued research, and to Paris for the International Congress of Voice Teachers, where she has been invited to present her research on the ground-breaking 21st century Swedish opera, Marie Antoinette, och hennes kärlek till Axel von Fersen. She serves on the board of the National Opera Association, and has recently been appointed editor of the organization's newsletter, NOA Notes. Dr. Roland is also a former American Scandinavian Foundation grantee, which facilitated her Swedish art song research, and made possible American Art Song master classes at the Royal College of Music in Stockholm.

Alan Savedoff, bassoon, is a member of the Hollywood Bowl Orchestra and the Pacific Symphony. He has performed with the Los Angeles Philharmonic New Music Group, Los Angeles Opera, Los Angeles Chamber Orchestra, Pasadena Symphony, Glendale Symphony, Los Angeles Master Chorale and Opera Pacific. Mr. Savedoff’s studio work includes recording for feature films and television. A graduate of Hartt School of Music, University of Hartford and the University of Michigan, he was formerly on the faculty of Augusta College, Georgia, and St. Cloud State University, Minnesota. He first performed with Southwest Chamber Music in 2000 and performed on the ensemble’s Complete Chamber Music of Carlos Chávez, Volume 2, which received a 2004 GRAMMY Award.

John Schneider, guitar, is an internationally recognized guitarist, composer, author, and broadcaster. He holds a Ph.D in Physics and Music from the Royal College of Music in London, and is past president of the Guitar Foundation of America. A specialist in contemporary music, Schneider’s The Contemporary guitar (UC Press) has become the standard text in the field. He can be heard on KPFK’s Global Village every Thursday morning. He is responsible for tremendous research and reconstruction of the instruments of Harry Partch, and is the director of Micro-Fest. Mr. Schneider has performed with Southwest Chamber Music since 1999, and recorded works of Partch and Cage on the ensemble’s landmark Composer Portrait Series. He also performs on the GRAMMY nominated Complete Chamber Music of Carlos Chávez, Volumes 3 and 4.

Ming Tsu, piano, is widely recognized as a soloist, chamber musician and teacher. She has concertized in Europe, Asia, Mexico, Canada and the United States and her performances have been broadcast on German National Radio as well as on over 60 stations throughout the United States. In 2003, she joined Southwest Chamber Music and since then has recorded with the ensemble the complete chamber works for piano and strings by Carlos Chávez as well as chamber music works by Chinary Ung and William Kraft. She has collaborated closely with other composers such as György Kurtág, Morton Subotnick, Henri Lazarof, Joan Huang, Eric Flesher, Lei Liang, Patricio Da Silva and Rob Paterson. Ms. Tsu has served on the piano faculty at Pacific Lutheran University and other Seattle schools and has given master classes in the U.S. and abroad. In the summer Ms. Tsu performs and teaches at the California Concert Artists Summer Music Festival as well as at the Beverly Hills International Music Festival. Ms. Tsu is currently the Associate Director of the Los Angeles branch of Junior Chamber Music, one of the most vibrant youth chamber music programs in the United States. Ming Tsu has received degrees in piano performance from the New England Conservatory of Music, Indiana University and University of Washington (Doctor of Musical Arts).

Lynn Vartan, percussion, is an active performer and educator who is an advocate for diversity in music. As a new music percussionist, Lynn has worked with Michael Colgrass, Donald Crockett,Vinny Golia, Arthur Jarvinen, Ursula Oppens, Joan Tower, Glen Velez and Xtet, and is known for her athleticism and exciting energy on stage. She has commissioned and/or performed new music by composers Crockett, Hoey, Krausas, Muhl and Naidoo. As a soloist, she has been featured on the Los Angeles Philharmonic Green Umbrella Series, the Different Trains Series and the USC Contemporary and Percussion Ensembles. In February 2003, Lynn recorded Stephen Hartke’s Tituli with the Hilliard Ensemble for release on the ECM series. Lynn performed with the Tambuco Percussion Ensemble on Southwest Chamber Music's Complete Chamber Works of Carlos Chavez, Volume 3, which was nominated as Best Classical Album for the 2005 Gramy Awards.

Shalini Vijayan, violin, deemed “a vibrant violinist” by Mark Swed of the Los Angeles Times, is an established performer and collaborator on both coasts. A native of California, Shalini studied in New York as a scholarship student at the Manhattan School of Music where she received her B.M. and M.M. degrees under the tutelage of Ariana Bronne and Lucie Robert.

Always an advocate for modern music, Shalini was a founding member and is Principal Second Violin of Kristjan Jarvi’s Absolute Ensemble, having recorded several albums with them including 2001 Grammy nominee, Absolution. As a part of Absolute, she has performed throughout the United States and Europe, most notably in London's Barbican Hall and the Konzerthaus in Vienna. A member of the New World Symphony in Miami Beach, Florida from 1998-2001, Shalini served as concertmaster for Michael Tilson Thomas, John Adams, Reinbert de Leeuw and Oliver Knussen. She was also concertmaster for the world premiere performances and recording of Steven Mackey's Tuck and Roll for RCA records in 2000. In Los Angeles, Shalini is featured regularly with Grammy Award winning Southwest Chamber Music and can be heard on their Complete Chamber Works of Carlos Chávez, Vol. 3. She is also a member of the Pacific Symphony Orchestra and was Principal Second Violin of the Opera Pacific Orchestra from 2003 to 2008. She has appeared on numerous film scores including A Beautiful Mind, The Incredibles, Star Trek and Ratatouille and on all five seasons of the television show Lost. Shalini has been on the faculty of the Sequoia Chamber Music Workshop in Arcata, California since 2003.

Jeff von der Schmidt, conductor, is Founding Artistic Director of Southwest Chamber Music. A two-time Grammy Award-winning conductor, he has led numerous performances of standard 20th century composers as well as world and local premieres of new work. Mr. von der Schmidt has received six Grammy nominations, including consecutive 2003 and 2004 Grammy Awards as conductor for the Complete Chamber Music of Carlos Chávez Volumes and 2. His performance was nominated for Best Classical Album in 2005 for the Complete Chamber Music of Carlos Chávez, Volume 3 by both mainstream and Latin Grammys. Recent projects include leading cultural exchanges at the Vietnam National Academy of Music and the Royal University of Fine Arts in Phnom Penh, Cambodia, featuring Aura, a major new composition by Grawemeyer Award-winning composer Chinary Ung; and a complete cycle of the chamber music of Carlos Chávez with Southwest Chamber Music and the Tambuco Percussion Ensemble at the UNAM Center in Mexico City in May 2007. His successful 2003 performance at the Library of Congress, with soprano Phyllis Bryn-Julson in Richard Felciano’s An American Decameron, was greeted with a standing ovation. He has led cycles of the Los Angeles works of Arnold Schoenberg at Cooper Union in New York City and at the Arnold Schoenberg Center in Vienna, where Southwest Chamber Music was the first American ensemble to perform at the Center since its relocation from the University of Southern California. Mr. von der Schmidt received the Henri M. Kohn Award as the outstanding student at the Tanglewood Music Festival in 1980 from Gunther Schuller and Seiji Ozawa, and studied French horn with Roland Berger of the Vienna Philharmonic, holding a certificate in German from the University of Vienna. He has lectured on music at the Getty Center, Los Angeles Philharmonic Green Umbrella Series, Arizona State University, University of Colorado, Ohio State University, Royal University of Fine Arts in Phnom Penh, Cambodia, the Vietnam National Academy of Music, and the Hochschule für Musik in Lübeck, Germany.